You have learned that notes can be raised and lowered with ♯ (sharp) and ♭ (flat), and that different keys can use different raised or lowered notes. In G major, for example, we always raise F to F♯.
But what if you are going to play an entire piece in G major, where the note F comes up again and again? Do you really have to write a ♯ before every single F? That quickly gets messy - both to write and to read.

Key signatures

Instead of writing ♯ before every F, we can write a ♯ at the start of every line of music, right after the clef.

Without a key signature

Every F needs its own ♯.

With a key signature

One ♯ after the clef is enough - it applies to every F.

The sharp at the start tells you that every F should be played as F♯, unless stated otherwise. Accidentals written this way at the start of the staff are called a key signature.
So in G major, F♯ is part of the key signature.

A key signature applies:

  • from the start of the piece
  • in every octave
  • until the key or the key signature changes

Different keys have different key signatures

C major needs no key signature:

C - D - E - F - G - A - B - C

G major needs one:

G - A - B - C - D - E - F♯ - G

If we build D major, we get:

D - E - F♯ - G - A - B - C♯ - D

So D major needs two sharps: F♯ and C♯.

F major goes the other way and needs a flat:

F - G - A - B♭ - C - D - E - F

So in F major, B♭ is part of the key signature.

More flats work the same way. B♭ major, for example, has two: B♭ and E♭.

B♭ - C - D - E♭ - F - G - A - B♭

Major and minor can share the same key signature

You have already seen that C major and A minor are relative keys because they contain the same notes.

Because they contain the same notes, they also have the same key signature.

C major ↔ A minor

No key signature

G major ↔ E minor

F♯

F major ↔ D minor

B♭

How to find the relative key

You don't need to memorize which major and minor keys go together. You can find the relative key by counting half steps.

If you know the major key and want to find the minor key:
Go three half steps down from the major key's root note.

Piano with A and C marked. There are three half steps between A and C.

Three half steps down from C is A. That is why A minor is the relative minor of C major.

The same thing works the other way too! Want to go from minor to major?
Then do the opposite and go three half steps up. From A you land on C. So C major is the relative major of A minor.

Test yourself

1. A piece has a ♯ on F as its key signature. What does that mean?

Show answer

Answer: Every F is played as F♯, unless stated otherwise.

2. Which major key has this as its key signature?

Show answer

Answer: D major.

3. Which minor key is the relative minor of G major?

Show answer

Answer: E minor. Go three half steps down from G.

4. A minor has no key signature. Which relative major key does it have?

Show answer

Answer: C major. Go three half steps up from A.

Remember

  • A key signature is written at the start of the staff line, after the clef.
  • It shows which notes should be raised or lowered throughout the piece.
  • Different keys have different key signatures.
  • Relative keys are a major key and a minor key that contain the same notes and therefore have the same key signature.
  • From major to relative minor: go three half steps down. From minor to relative major: go three half steps up.

Frequently asked questions about key signatures

What is a key signature in music?

A key signature is the sharps or flats written at the start of each staff line, right after the clef. They apply to those notes in every octave throughout the piece, unless stated otherwise.

How do you tell the major key from the sharps in a key signature?

Go a half step up from the last sharp. With one sharp (F♯) the key is G major, and with two sharps (F♯ and C♯) it is D major.

How do you tell the major key from the flats in a key signature?

With two or more flats, the second-to-last flat names the major key - B♭ and E♭ gives B♭ major. One flat (B♭) is F major, which is worth remembering on its own.

How do you find the relative minor key?

Go three half steps down from the root note of the major key. Three half steps down from C is A, so A minor is the relative minor of C major and has the same key signature.

Practice recognizing keys from their key signatures in the key signatures exercise.

Next step

But is there a way to keep track of all the keys and their key signatures?

You'll find out in the next part.